Posted by: rmiglobal | April 29, 2012

A Tale of Two Pow Wows: How The Music Industry Filled America’s Prisons, And Ours

Timid readers may wish to re-think sending letters to the Editor after perusing the missive below. It’s authenticity will certainly be in doubt but our posting should prove that we read all messages and respond appropriately within a reasonable timeframe.

The letter below, posted in it’s entirety, was apparently sent to many sites around the web as an open confession and soul cleansing exercise meant for wide consumption. It’s too little too late and even if he had gone public with his inside knowledge 20 years ago, it’s highly unlikely, preposterous anyone would have believed a word of it.

In the pre-dawn of the Belt Epoque saggy trousers era, a lawyer with connection to Jack Abramoff filed a series of client import documents with the FTC (Federal Trade Commission) that the clerk had found so repugnant, he filed an internal complaint that landed the shyster in hot water. We won’t bore you stiff with the details but you can follow the link below to clarify the reason this young man eventually had to be saved by powerful K Street friends like jack the Hat who don’t care about no stinkin badges.

The scuttlebut of his Agency meeting revealed a massive order for prison uniforms intentionally sized large as a standard, sold to the US government at a whacking low rate if prison authorities would commit to a 25 year import agreement locking in their profit to supply units in the tens of millions. The prison population was a fraction of that back then. It was an outrageous cartel proposal, monopolising  and downright pessimistic for America’s future to boot. Obviously, they knew something others didn’t.

Given that the FTC clerk was an old hand who remembered there were less than 100,000 federal prisoners in the ’70s, he felt it his duty to request an enquiry into the reasons these businessmen were willing to risk good money on a venture that could only profit through the country’s degradation. It felt like a plot out of a bad B movie with bad guy Beltway lobbyists breathing down his throat like psychos newly installed as asylum bosses who aimed to foster any policy that jailed people for any infraction.

Buried somewhere in the depths of the legalese word maze, a list of investors and their IRS declarations had popped out at him as the strangest of bedfellows for the international rag merchants but ultimately, the commercial tie made sense. A group of US music companies acting in unison planned to recycle their off-shore profits tax-free playing a fakeout on the US taxpayer by selling them slave labour produced clothes from US Pacific Rim territory masquerading as domestically manufactured goods.

Naturally, this story ends with comfortable retirement for the civil servant, which he made sure not to jeopardise. The enquiry didn’t materialse. The attendee of the other aforementioned meeting wasn’t so lucky, it’s apparently given him many sleepless nights and there’s little that can be done to put things right again in his eyes. Next time you see anyone showing you what Americans once fondly called his Plumber’s Crack, you can thank these fine fellows for the new Bling Bling gangsta rap kulcher;

1. Backgrounder: Abramoff Inc.

One aspect of the unfolding Abramoff scandal involved the Marianas, a U.S. territory in the Pacific that Congress exempted from the U.S. minimum wage and immigration laws. The islands are home to Chinese-owned factories, where low-wage workers were imported from China and the Philippines and forced into slave labor conditions, living in squalid shacks behind barbed wire, to produce “Made in the USA” goods. As pressure built in the mid-1990s for a bill to impose U.S. laws on the islands, Abramoff was pitching his client-the government of the Marianas-as a regulation-free paradise and taking lawmakers there on luxury junkets … More>>

2. Letter to the editor

Hello,

After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.

Between the late 80′s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.

The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle.

Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting.

Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.

Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first nam and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”.

At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement.

He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion.

At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates.

The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, a they become publicly traded, we’d be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions.

He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice.

He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons. Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn’t dreaming and saw half of the people with dropped jaws.

My daze was interrupted when someone shouted, “Is this a f****** joke?” At this point things became chaotic. Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside.

My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business  and nothing we’d want to challenge without risking consequences.

We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.” He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off.

A million things were going through my mind as I drove away and I eventually decided to pull over and park on a side street in order to collect my thoughts. I replayed everything in my mind repeatedly and it all seemed very surreal to me. I was angry with myself for not having taken a more active role in questioning what had been presented to us.

I’d like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to calm myself enough to make it home. I didn’t talk or call anyone that night. The next day back at the office, I was visibly out of it but blamed it on being under the weather. No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed.

I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention. I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family. I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free. There were no answers and no one to talk to.

I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was. Days turned into weeks and weeks into months. Eventually, it was as if the meeting had never taken place.

It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attending the same function as my former colleague. Both times, our eyes met but nothing more was exchanged.

As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves. Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it. Each one was churning out their very own gangster rap acts on an assembly line.

Everyone bought into it, consumers included. Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities. I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved.

I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment. As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew.

Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have.

I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades.

Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.

Thank you.


Responses

  1. Great article. I hope more people come forward about this.
    There is a PDF somewhere out there on the interwebs documenting how since the 60s there was a plan by–whatever you want to call this power cabal–to increasingly sexualize clothing styles, presumably to drive the masses into a more animal state of being. Now with the rap music the connection is obvious. Generating chaos is profitable politically and financially.
    Another thing that keeps bodies in prisons in the US are the ridiculous marijuana laws. And if marijuana is considered as a bona fide medication and inhibitor of cancer then Abramoff and his Judeo-Masonic (G) ken are actually guilty of murder in more ways than one. The rabbit hole….
    Keep it coming guys.

    • Could the PDF you are talking about be Satan-Prince of this world by WG Carr? I have it, but am too lazy to search through the pages for what you’re referring to. I distinctly recall some passage about promoting baseless art and also normalizing repugnant sexualization of everything. Something to do with the Cabal, it’s in the book. Either way, this “expose” need not even have been posted, if we just paid attention to things. It’s obvious that rap glorifies prison and criminal behavior. It’s OBVIOUS the hip hop “style” music, attire, all of it- glorifies everything that is bad, evil, harmful- yet we stood idly by. WE ASKED FOR IT because we did NOTHING. What happened to the preachers we had in the 50s warning us of the “dangers of rock n roll”? Were they paid off, too? Too scared to go against the machine? What a shame. We need to be speaking out against this, publicly- not commenting on a message board in earnest, yet futile manner. We need to get out in public and warn the young black men (and non blacks too!) that they’re making an old white Jewish man very rich, and making themselves look very stupid- by buying these ites designed to “mark” them as criminals. Hoodies, low rider pants (what ARE those called anyway?) do nothing but make one look like a thug

  2. Where is my previous comment?

    • Got lost apparently. It should be visible now.


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